Oil Paintings
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Jacopo Bassano Italian
c1510-1592
Jacopo Bassano Gallery
He was apprenticed to his father, with whom he collaborated on the Nativity (1528; Valstagna, Vicenza, parish church). In the first half of the 1530s Jacopo trained in Venice with Bonifazio de Pitati, whose influence, with echoes of Titian, is evident in the Flight into Egypt (1534; Bassano del Grappa, Mus. Civ.). He continued to work in the family shop until his fathers death in 1539. His paintings from those years were mainly altarpieces for local churches; many show signs of collaboration. He also worked on public commissions, such as the three canvases on biblical subjects (1535-6; Bassano del Grappa, Mus. Civ.) for the Palazzo Communale, Bassano del Grappa, in which the narrative schemes learnt from Bonifazio are combined with a new naturalism. From 1535 he concentrated on fresco painting, executing, for example, the interior and exterior decoration (1536-7) of S Lucia di Tezze, Vicenza, which demonstrates the maturity of his technique.
Jacopo Bassano The Animals Entering the Ark c1590
Museo del Prado, Madrid
Painting ID:: 20326
X
Jacopo Bassano The Descent from the Cross (mk05) Canvas,60 1/2 x 88 1/2''(154 x 225 cm)Acquired in 1661 from the heirs of Cardinal Mazarin for the collection of Louis XIV
Painting ID:: 21339
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Jacopo Bassano The Procession to Calvary (mk08) c.1540
Oil on canvas,
145x133cm
London National Gallery
Painting ID:: 28054
X
Jacopo Bassano The Israelites Drinkintg the Miraculous Water mk61
1563-1568
Oil on canvas
146x230cm
Painting ID:: 28904
X
Jacopo Bassano Two Dogs mk65
Oil on canvas
33 7/16x49 5/8in
Uffizi,Gallery
Painting ID:: 28906
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Jacopo Bassano Madonna and Child with St.John as a Child mk65
Oil on canvas
31 1/8x23 5/8in
Painting ID:: 33496
X
Jacopo Bassano The Procession to Calvary mk86
c.1540
Oil on canvas
145x133cm
London,Nationa Gallery
Painting ID:: 39600
X
Jacopo Bassano Adoration of the Magi mk150
c.1560/65
Canvas
92.3x117.5cm
Painting ID:: 40364
X
Jacopo Bassano The Adoration of the Shepherds mk156
1544-45
Oil on canvas
140x219cm
Painting ID:: 40377
X
Jacopo Bassano The Crucifixion mk156
1562
Oil on panel
315x177cm
Painting ID:: 43069
X
Jacopo Bassano The Way to Calvary mk170
circa 1545
Oil on canvas
145.3x132.6cm
Painting ID:: 43070
X
Jacopo Bassano Christ Driving the Traders from the Temple mk170
circa 1585
Oil on canvas
158.7x265cm
Painting ID:: 43072
X
Jacopo Bassano The good Samaritan mk170
1561-1563
Oil on canvas
101.5x79.4cm
Painting ID:: 69647
X
Jacopo Bassano The Adoration of the Magi oil on jasper painting by Jacopo Bassano
Painting ID:: 45527
X
Jacopo Bassano The last communion mk186
1546-48 Rome, Galleria Borghese
Painting ID:: 45537
X
Jacopo Bassano The meal in Emmaus mk186
1537/38 Cittadella parish church sacristy
Painting ID:: 45564
X
Jacopo Bassano Christ in Emmaus mk186
around 1538 forts Worth Kimbell type museum
Painting ID:: 51698
X
Jacopo Bassano The Annunciation to the Shepherds nn09
c.1533
Oil on canvas
116x94cm
Painting ID:: 52090
X
Jacopo Bassano Noah's Sacrifice c. 1574
Oil on canvas
Painting ID:: 52249
X
Jacopo Bassano St Roche among the Plague Victims and the Madonna in Glory c. 1575 Oil on canvas, 350 x 210 cm
Italian
c1510-1592
Jacopo Bassano Gallery
He was apprenticed to his father, with whom he collaborated on the Nativity (1528; Valstagna, Vicenza, parish church). In the first half of the 1530s Jacopo trained in Venice with Bonifazio de Pitati, whose influence, with echoes of Titian, is evident in the Flight into Egypt (1534; Bassano del Grappa, Mus. Civ.). He continued to work in the family shop until his fathers death in 1539. His paintings from those years were mainly altarpieces for local churches; many show signs of collaboration. He also worked on public commissions, such as the three canvases on biblical subjects (1535-6; Bassano del Grappa, Mus. Civ.) for the Palazzo Communale, Bassano del Grappa, in which the narrative schemes learnt from Bonifazio are combined with a new naturalism. From 1535 he concentrated on fresco painting, executing, for example, the interior and exterior decoration (1536-7) of S Lucia di Tezze, Vicenza, which demonstrates the maturity of his technique.
