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Jacopo Bassano
The Animals Entering the Ark
c1590
Museo del Prado, Madrid
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Jacopo Bassano
The Descent from the Cross (mk05)
Canvas,60 1/2 x 88 1/2''(154 x 225 cm)Acquired in 1661 from the heirs of Cardinal Mazarin for the collection of Louis XIV
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Jacopo Bassano
The Procession to Calvary (mk08)
c.1540
Oil on canvas,
145x133cm
London National Gallery
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Jacopo Bassano
The Israelites Drinkintg the Miraculous Water
mk61
1563-1568
Oil on canvas
146x230cm
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Jacopo Bassano
Two Dogs
mk65
Oil on canvas
33 7/16x49 5/8in
Uffizi,Gallery
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Jacopo Bassano
Madonna and Child with St.John as a Child
mk65
Oil on canvas
31 1/8x23 5/8in
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Jacopo Bassano
The Procession to Calvary
mk86
c.1540
Oil on canvas
145x133cm
London,Nationa Gallery
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Jacopo Bassano
Adoration of the Magi
mk150
c.1560/65
Canvas
92.3x117.5cm
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Jacopo Bassano
The Adoration of the Shepherds
mk156
1544-45
Oil on canvas
140x219cm
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Jacopo Bassano
The Crucifixion
mk156
1562
Oil on panel
315x177cm
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Jacopo Bassano
The Way to Calvary
mk170
circa 1545
Oil on canvas
145.3x132.6cm
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Jacopo Bassano
Christ Driving the Traders from the Temple
mk170
circa 1585
Oil on canvas
158.7x265cm
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Jacopo Bassano
The good Samaritan
mk170
1561-1563
Oil on canvas
101.5x79.4cm
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Jacopo Bassano
The Adoration of the Magi
oil on jasper painting by Jacopo Bassano
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Jacopo Bassano
The last communion
mk186
1546-48 Rome, Galleria Borghese
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Jacopo Bassano
The meal in Emmaus
mk186
1537/38 Cittadella parish church sacristy
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Jacopo Bassano
Christ in Emmaus
mk186
around 1538 forts Worth Kimbell type museum
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Jacopo Bassano
The Annunciation to the Shepherds
nn09
c.1533
Oil on canvas
116x94cm
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Jacopo Bassano
Noah's Sacrifice
c. 1574
Oil on canvas
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Jacopo Bassano
St Roche among the Plague Victims and the Madonna in Glory
c. 1575 Oil on canvas, 350 x 210 cm
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| Jacopo Bassano
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Italian
c1510-1592
Jacopo Bassano Gallery
He was apprenticed to his father, with whom he collaborated on the Nativity (1528; Valstagna, Vicenza, parish church). In the first half of the 1530s Jacopo trained in Venice with Bonifazio de Pitati, whose influence, with echoes of Titian, is evident in the Flight into Egypt (1534; Bassano del Grappa, Mus. Civ.). He continued to work in the family shop until his fathers death in 1539. His paintings from those years were mainly altarpieces for local churches; many show signs of collaboration. He also worked on public commissions, such as the three canvases on biblical subjects (1535-6; Bassano del Grappa, Mus. Civ.) for the Palazzo Communale, Bassano del Grappa, in which the narrative schemes learnt from Bonifazio are combined with a new naturalism. From 1535 he concentrated on fresco painting, executing, for example, the interior and exterior decoration (1536-7) of S Lucia di Tezze, Vicenza, which demonstrates the maturity of his technique.
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